Cripping 不合时宜
Poem/Video
2024
《Cripping》以空间断裂和语言漂移探索身体政治。诗人通过独特的视觉排版和断续的字母重复,编织出一种呈现身体碎片化、又渴望完整的节奏。
作品重组一周时序,展示创伤如何重塑时间感知。蛇的意象从伊甸园叙事转向对痛苦、平和与身份的思考。反复出现的单字母序列既挑战规范语言,又作为身体记忆的痕迹。
对时钟、蛇形和宗教符号的重构创造出规制与越界、伤痛与愈合不断对话的空间。这种碎片化写作为边缘主体开辟新的表达可能,暗示语言可以成为规范与非规范身体不断消解又重构的场域。
Cripping explores embodied politics through spatial disruption and linguistic drift. Through distinctive visual arrangement and staccato letter repetition, the poem weaves a rhythm that embodies both fragmentation and longing for wholeness.
The work's reconfigured weekly sequence reveals how trauma reshapes time perception. The serpentine imagery shifts from Eden's narrative to intimate reflections on pain, peace, and identity. Recurring single-letter sequences challenge normative language while tracing bodily memories.
The reconstruction of clockwork, serpentine, and religious imagery creates a space where regulation and transgression, wounding and healing converse. This fractured writing opens new expressive possibilities for marginalized subjects, suggesting language as a site where normative and non-normative bodies perpetually dissolve and reconstitute.
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