contact / 联系
tengmuyangphoto@163.com
NL +31 0647681716 / CN +86 18896502825
tengmuyangphoto@163.com
NL +31 0647681716 / CN +86 18896502825
about / 切解
Keywords:
Chronopolitics / Politics of Voicing / Mediated Desire / Translation as Mirror / Animality and Toxicity as Imperial Residue / Asian Affects / Forms of Intimacies / Slow Witnessing / Mother(s) / Materiality
Chronopolitics / Politics of Voicing / Mediated Desire / Translation as Mirror / Animality and Toxicity as Imperial Residue / Asian Affects / Forms of Intimacies / Slow Witnessing / Mother(s) / Materiality
关键词：
时间政治 / 发音政治 / 中介化的欲望 / 翻译作为镜子 / 动物性和毒性作为帝国残余 / 亚洲情感结构 / 亲密的各种形式 / 缓慢的见证 / 复数的母亲 / 物质性
Mirroring between Asia and Europe, Muyang Teng (b.1998, Changzhou) works as a cultural translator through words, images, and theories. Their work attends to how inscrutable surfaces—(s)kin, meaning, difference, tone—seep from displacement, racialized (un)feeling, and uneven stacking residue of globalization, reconfiguring trauma through delayed rhythms.
Dwelling in linguistic and cultural borders as an amateur, Muyang composes through adjacency, not authority. They hold queerness and translation as methodological twins, enabling drift across (non-)linguistic and (non-)epistemological systems. Their work marinates fragmentation through lo-fi mimicry, wayward phrasing, and contagious juxtaposition to evoke weathered subtleties.
Roaming with the Dutch Art Institute (since 2024), Muyang creates small editions and shares poetic work within close-knit communities. Their individual and collective work has been shown at V2 (Rotterdam), WORM (Rotterdam), EYE Filmmuseum (Amsterdam), SAVVY Contemporary (Berlin), SIGN (Groningen), Nida Art Colony (Lithuania), Centrale Fies (Italy), Thkio Ppalies (Cyprus), and Mugetang Gallery (Chengdu). They hold an MA in Lens-Based Media from the Piet Zwart Institute.
往返于亚洲与欧洲之间，滕沐洋（1998，常州）作为文化翻译者，在词语、影像与理论之间工作。他们的创作关注那些不可捉摸的表面（肤／色、意／义、差／异、语／调）如何从流离失所、种族化的情／非情以及全球化的不均堆叠的残余中渗出，借由延迟的节奏让创伤以断裂的方式显现。
作为一个热爱者长居语言与文化的边界，滕沐洋通过“邻近”而非“权威性”进行创作。他们将酷儿性与翻译视为方法论孪生体，使得以在（非）语言与（非）认知系统间漂移。他们的创作将碎片腌渍于低保真的模仿、任性游移的语序与感染性并置中，唤起那些风化却未褪的感受。
自2024年起，滕沐洋与荷兰艺术学院漫游，持续以小体量方式开展创作并于亲密社群中分享诗性作品。个人和集体作品曾展出于V2_和WORM（鹿特丹）、SIGN（格罗宁根）、EYE电影博物馆（阿姆斯特丹）、SAVVY 当代 （柏林）、Nida艺术村（立陶宛）、Centrale Fies（意大利）Thkio Ppalies（塞浦路斯）和木格堂画廊（成都）。他们之前毕业于皮特·茨瓦特研究所“基于镜头的媒介”硕士项目
Mirroring between Asia and Europe, Muyang Teng (b.1998, Changzhou) works as a cultural translator through words, images, and theories. Their work attends to how inscrutable surfaces—(s)kin, meaning, difference, tone—seep from displacement, racialized (un)feeling, and uneven stacking residue of globalization, reconfiguring trauma through delayed rhythms.
Dwelling in linguistic and cultural borders as an amateur, Muyang composes through adjacency, not authority. They hold queerness and translation as methodological twins, enabling drift across (non-)linguistic and (non-)epistemological systems. Their work marinates fragmentation through lo-fi mimicry, wayward phrasing, and contagious juxtaposition to evoke weathered subtleties.
Roaming with the Dutch Art Institute (since 2024), Muyang creates small editions and shares poetic work within close-knit communities. Their individual and collective work has been shown at V2 (Rotterdam), WORM (Rotterdam), EYE Filmmuseum (Amsterdam), SAVVY Contemporary (Berlin), SIGN (Groningen), Nida Art Colony (Lithuania), Centrale Fies (Italy), Thkio Ppalies (Cyprus), and Mugetang Gallery (Chengdu). They hold an MA in Lens-Based Media from the Piet Zwart Institute.
Dwelling in linguistic and cultural borders as an amateur, Muyang composes through adjacency, not authority. They hold queerness and translation as methodological twins, enabling drift across (non-)linguistic and (non-)epistemological systems. Their work marinates fragmentation through lo-fi mimicry, wayward phrasing, and contagious juxtaposition to evoke weathered subtleties.
Roaming with the Dutch Art Institute (since 2024), Muyang creates small editions and shares poetic work within close-knit communities. Their individual and collective work has been shown at V2 (Rotterdam), WORM (Rotterdam), EYE Filmmuseum (Amsterdam), SAVVY Contemporary (Berlin), SIGN (Groningen), Nida Art Colony (Lithuania), Centrale Fies (Italy), Thkio Ppalies (Cyprus), and Mugetang Gallery (Chengdu). They hold an MA in Lens-Based Media from the Piet Zwart Institute.
作为一个热爱者长居语言与文化的边界，滕沐洋通过“邻近”而非“权威性”进行创作。他们将酷儿性与翻译视为方法论孪生体，使得以在（非）语言与（非）认知系统间漂移。他们的创作将碎片腌渍于低保真的模仿、任性游移的语序与感染性并置中，唤起那些风化却未褪的感受。
自2024年起，滕沐洋与荷兰艺术学院漫游，持续以小体量方式开展创作并于亲密社群中分享诗性作品。个人和集体作品曾展出于V2_和WORM（鹿特丹）、SIGN（格罗宁根）、EYE电影博物馆（阿姆斯特丹）、SAVVY 当代 （柏林）、Nida艺术村（立陶宛）、Centrale Fies（意大利）Thkio Ppalies（塞浦路斯）和木格堂画廊（成都）。他们之前毕业于皮特·茨瓦特研究所“基于镜头的媒介”硕士项目