Contact
tengmuyangphoto@163.com
NL +31 0647681716 / CN +86 18896502825
tengmuyangphoto@163.com
NL +31 0647681716 / CN +86 18896502825
About
About
hardly war; syncopation; bare/bear/barely;
dead tired; itch; shanzhai; mother(s); echo(es);
impossible mirror; writing-as-positioning
Muyang Teng (b. 1998, Changzhou) works between China and the Netherlands with words, images, installations, and performances. They work with materials atomized, plasticized, gif-ed, flashlight-ed, snowed, squared, stripped, echoed—surviving only as ephemera whose inadequacy reveals how certain lives were never meant to be properly archived.
Dwelling in linguistic borders, Muyang composes through adjacency rather than authority. When their own materials remain too proximate, Korean poetry offers a necessary elsewhere. Situated within the residual infrastructures of uneven globalization, queerness here names not identity but the chronicity of relation under translation’s affective lag. Through animality, lo-fi mimicry and uneven pacing, this lag becomes audible.
Roaming with the Dutch Art Institute since 2024, Muyang works with small editions and shares poetic pieces through intimate gatherings, where contact remains provisional. Recent presentations include Mugetang Gallery (Chengdu), SIGN (Groningen), EYE Filmmuseum (Amsterdam), TENT (Rotterdam), V2 (Rotterdam), WORM (Rotterdam), Nida Art Colony (Lithuania), Centrale Fies (Italy), Thkio Ppalies (Nicosia), PAF (France), and SAVVY Contemporary (Berlin). They hold an MA in Lens-Based Media from the Piet Zwart Institute.
Collapsed, collapsing, holding on.
几乎（不是）战争；切分音；熊/忍；
累死了；痒；山寨；复数的母亲；回声之中；
不可能的镜像；写作作为立场
滕沐洋（1998 年生于常州）往返于中国与荷兰之间，以文字、影像、装置与行为展开创作。他们处理材料。打散。塑性。动图。闪光。雪藏。方格。剥离。回声。只剩残余。勉强存活。正是在这些不足之中。显现的是：某些生命，从来不曾，被打算妥善存档。
栖居于语言的边界，沐洋以一种邻近而非权威的姿态工作。当自身的材料持续流血时，韩国诗歌成为一种必要的他处。在不均衡全球化所遗留下的基础设施中，酷儿性并不指称身份，而是指向：在翻译所造成的情感性滞后之下，关系如何得以跛行。通过动物性、低保真的模仿与不均匀的节奏，这种滞后变得可被聆听。
自 2024 年起，沐洋与荷兰艺术学院一同游走实践，通过小型出版物与亲密聚集分享诗性片段。近期展示包括木格堂（成都）、SIGN（格罗宁根）、EYE 电影博物馆（阿姆斯特丹）、TENT、V2、WORM（鹿特丹）、尼达艺术村（立陶宛）、Centrale Fies（意大利）、Thkio Ppalies（尼科西亚）、PAF（法国）及 SAVVY Contemporary（柏林）。他们持有皮特·茨瓦特学院镜头媒体艺术硕士学位。
坍塌了的，正在坍塌着，仍在坚持着。
hardly war; syncopation; bare/bear/barely;
dead tired; itch; shanzhai; mother(s); echo(es);
impossible mirror; writing-as-positioning
dead tired; itch; shanzhai; mother(s); echo(es);
impossible mirror; writing-as-positioning
Muyang Teng (b. 1998, Changzhou) works between China and the Netherlands with words, images, installations, and performances. They work with materials atomized, plasticized, gif-ed, flashlight-ed, snowed, squared, stripped, echoed—surviving only as ephemera whose inadequacy reveals how certain lives were never meant to be properly archived.
Dwelling in linguistic borders, Muyang composes through adjacency rather than authority. When their own materials remain too proximate, Korean poetry offers a necessary elsewhere. Situated within the residual infrastructures of uneven globalization, queerness here names not identity but the chronicity of relation under translation’s affective lag. Through animality, lo-fi mimicry and uneven pacing, this lag becomes audible.
Roaming with the Dutch Art Institute since 2024, Muyang works with small editions and shares poetic pieces through intimate gatherings, where contact remains provisional. Recent presentations include Mugetang Gallery (Chengdu), SIGN (Groningen), EYE Filmmuseum (Amsterdam), TENT (Rotterdam), V2 (Rotterdam), WORM (Rotterdam), Nida Art Colony (Lithuania), Centrale Fies (Italy), Thkio Ppalies (Nicosia), PAF (France), and SAVVY Contemporary (Berlin). They hold an MA in Lens-Based Media from the Piet Zwart Institute.
Collapsed, collapsing, holding on.
几乎（不是）战争；切分音；熊/忍；
累死了；痒；山寨；复数的母亲；回声之中；
不可能的镜像；写作作为立场
累死了；痒；山寨；复数的母亲；回声之中；
不可能的镜像；写作作为立场
滕沐洋（1998 年生于常州）往返于中国与荷兰之间，以文字、影像、装置与行为展开创作。他们处理材料。打散。塑性。动图。闪光。雪藏。方格。剥离。回声。只剩残余。勉强存活。正是在这些不足之中。显现的是：某些生命，从来不曾，被打算妥善存档。
栖居于语言的边界，沐洋以一种邻近而非权威的姿态工作。当自身的材料持续流血时，韩国诗歌成为一种必要的他处。在不均衡全球化所遗留下的基础设施中，酷儿性并不指称身份，而是指向：在翻译所造成的情感性滞后之下，关系如何得以跛行。通过动物性、低保真的模仿与不均匀的节奏，这种滞后变得可被聆听。
自 2024 年起，沐洋与荷兰艺术学院一同游走实践，通过小型出版物与亲密聚集分享诗性片段。近期展示包括木格堂（成都）、SIGN（格罗宁根）、EYE 电影博物馆（阿姆斯特丹）、TENT、V2、WORM（鹿特丹）、尼达艺术村（立陶宛）、Centrale Fies（意大利）、Thkio Ppalies（尼科西亚）、PAF（法国）及 SAVVY Contemporary（柏林）。他们持有皮特·茨瓦特学院镜头媒体艺术硕士学位。
坍塌了的，正在坍塌着，仍在坚持着。