Contact
tengmuyangphoto@163.com
NL +31 0647681716 / CN +86 18896502825
tengmuyangphoto@163.com
NL +31 0647681716 / CN +86 18896502825
About
About
hardly war; syncopation; bare/bear/barely;
dead tired; itch; shanzhai; mother(s); echo(es);
impossible mirror; writing-as-positioning
Muyang Teng (b. 1998, Changzhou) works between China and the Netherlands with words, images, installations, and performances. After training with programming and photography, they found memories and emotions accumulating and reverberating across heaps and stacks filled with light and bits.
Dwelling in linguistic borders, Muyang composes through adjacency, not authority. Queerness and translation move as twins, suspended between systems and their refusals. Surface inscrutabilities—(s)kin, meaning, difference, tone—seep from displacement, racialized (un)feeling, and residue of uneven globalization. Through lo-fi mimicry and wayward phrasing, Muyang re-inhabits trauma as weathered subtleties and delayed rhythms.
Roaming with the Dutch Art Institute since 2024, Muyang produces small editions and shares poetic pieces in intimate gatherings, where contact remains provisional. Recent presentations include Mugetang Gallery (Chengdu), SIGN (Groningen), EYE Filmmuseum (Amsterdam), TENT (Rotterdam), V2 (Rotterdam), WORM (Rotterdam), Nida Art Colony (Lithuania), Centrale Fies (Italy), Thkio Ppalies (Nicosia), Performing Arts Forum (France), and SAVVY Contemporary (Berlin). They hold an MA in Lens-Based Media from Piet Zwart Institute.
Collapsed, collapsing, holding on.
几乎（不是）战争；切分音；熊/忍；
累死了；痒；山寨；复数的母亲；回声之中；
不可能的镜像；写作（行动）即立场
滕沐洋（1998年生于常州）往返于中国与荷兰之间，以文字、影像、装置与行为展开创作。在接受编程与摄影的训练后，他们发现记忆与情感在充满光线与比特的堆栈中聚集、回响，并延伸至更远之处。
栖居于语言边界，沐洋通过邻近而非权威进行创作。酷儿性与翻译如孪生体般移动，被悬置于系统及其拒绝之间。表层的不可解——肤／色、意／义、差／异、语／调——从流离失所、种族化的（非）情感，以及不均匀全球化的残余中渗出。通过低保真模仿与任性措辞，沐洋重新栖居于创伤之中，将其呈现为风化的细微与延迟的节奏。
目前沐洋正与荷兰艺术学院一同游走（自2024年起），创作小型出版物，在亲密聚会中分享诗作，培育短暂的联结，呼应着切分的当代节奏。坍塌了的，正在坍塌着，仍在坚持着。近期展示包括木格堂画廊（成都）、SIGN（格罗宁根）、EYE电影博物馆（阿姆斯特丹）、TENT（鹿特丹）、V2（鹿特丹）、WORM（鹿特丹）、尼达艺术村（立陶宛）、Centrale Fies（意大利）、Thkio Ppalies（尼科西亚）、PAF（法国）及SAVVY当代（柏林）。他们持有皮特·茨瓦特学院镜头媒体艺术硕士学位。
hardly war; syncopation; bare/bear/barely;
dead tired; itch; shanzhai; mother(s); echo(es);
impossible mirror; writing-as-positioning
Muyang Teng (b. 1998, Changzhou) works between China and the Netherlands with words, images, installations, and performances. After training with programming and photography, they found memories and emotions accumulating and reverberating across heaps and stacks filled with light and bits.
Dwelling in linguistic borders, Muyang composes through adjacency, not authority. Queerness and translation move as twins, suspended between systems and their refusals. Surface inscrutabilities—(s)kin, meaning, difference, tone—seep from displacement, racialized (un)feeling, and residue of uneven globalization. Through lo-fi mimicry and wayward phrasing, Muyang re-inhabits trauma as weathered subtleties and delayed rhythms.
Roaming with the Dutch Art Institute since 2024, Muyang produces small editions and shares poetic pieces in intimate gatherings, where contact remains provisional. Recent presentations include Mugetang Gallery (Chengdu), SIGN (Groningen), EYE Filmmuseum (Amsterdam), TENT (Rotterdam), V2 (Rotterdam), WORM (Rotterdam), Nida Art Colony (Lithuania), Centrale Fies (Italy), Thkio Ppalies (Nicosia), Performing Arts Forum (France), and SAVVY Contemporary (Berlin). They hold an MA in Lens-Based Media from Piet Zwart Institute.
Collapsed, collapsing, holding on.
dead tired; itch; shanzhai; mother(s); echo(es);
impossible mirror; writing-as-positioning
Muyang Teng (b. 1998, Changzhou) works between China and the Netherlands with words, images, installations, and performances. After training with programming and photography, they found memories and emotions accumulating and reverberating across heaps and stacks filled with light and bits.
Dwelling in linguistic borders, Muyang composes through adjacency, not authority. Queerness and translation move as twins, suspended between systems and their refusals. Surface inscrutabilities—(s)kin, meaning, difference, tone—seep from displacement, racialized (un)feeling, and residue of uneven globalization. Through lo-fi mimicry and wayward phrasing, Muyang re-inhabits trauma as weathered subtleties and delayed rhythms.
Roaming with the Dutch Art Institute since 2024, Muyang produces small editions and shares poetic pieces in intimate gatherings, where contact remains provisional. Recent presentations include Mugetang Gallery (Chengdu), SIGN (Groningen), EYE Filmmuseum (Amsterdam), TENT (Rotterdam), V2 (Rotterdam), WORM (Rotterdam), Nida Art Colony (Lithuania), Centrale Fies (Italy), Thkio Ppalies (Nicosia), Performing Arts Forum (France), and SAVVY Contemporary (Berlin). They hold an MA in Lens-Based Media from Piet Zwart Institute.
Collapsed, collapsing, holding on.
几乎（不是）战争；切分音；熊/忍；
累死了；痒；山寨；复数的母亲；回声之中；
不可能的镜像；写作（行动）即立场
滕沐洋（1998年生于常州）往返于中国与荷兰之间，以文字、影像、装置与行为展开创作。在接受编程与摄影的训练后，他们发现记忆与情感在充满光线与比特的堆栈中聚集、回响，并延伸至更远之处。
栖居于语言边界，沐洋通过邻近而非权威进行创作。酷儿性与翻译如孪生体般移动，被悬置于系统及其拒绝之间。表层的不可解——肤／色、意／义、差／异、语／调——从流离失所、种族化的（非）情感，以及不均匀全球化的残余中渗出。通过低保真模仿与任性措辞，沐洋重新栖居于创伤之中，将其呈现为风化的细微与延迟的节奏。
目前沐洋正与荷兰艺术学院一同游走（自2024年起），创作小型出版物，在亲密聚会中分享诗作，培育短暂的联结，呼应着切分的当代节奏。坍塌了的，正在坍塌着，仍在坚持着。近期展示包括木格堂画廊（成都）、SIGN（格罗宁根）、EYE电影博物馆（阿姆斯特丹）、TENT（鹿特丹）、V2（鹿特丹）、WORM（鹿特丹）、尼达艺术村（立陶宛）、Centrale Fies（意大利）、Thkio Ppalies（尼科西亚）、PAF（法国）及SAVVY当代（柏林）。他们持有皮特·茨瓦特学院镜头媒体艺术硕士学位。
累死了；痒；山寨；复数的母亲；回声之中；
不可能的镜像；写作（行动）即立场
滕沐洋（1998年生于常州）往返于中国与荷兰之间，以文字、影像、装置与行为展开创作。在接受编程与摄影的训练后，他们发现记忆与情感在充满光线与比特的堆栈中聚集、回响，并延伸至更远之处。
栖居于语言边界，沐洋通过邻近而非权威进行创作。酷儿性与翻译如孪生体般移动，被悬置于系统及其拒绝之间。表层的不可解——肤／色、意／义、差／异、语／调——从流离失所、种族化的（非）情感，以及不均匀全球化的残余中渗出。通过低保真模仿与任性措辞，沐洋重新栖居于创伤之中，将其呈现为风化的细微与延迟的节奏。
目前沐洋正与荷兰艺术学院一同游走（自2024年起），创作小型出版物，在亲密聚会中分享诗作，培育短暂的联结，呼应着切分的当代节奏。坍塌了的，正在坍塌着，仍在坚持着。近期展示包括木格堂画廊（成都）、SIGN（格罗宁根）、EYE电影博物馆（阿姆斯特丹）、TENT（鹿特丹）、V2（鹿特丹）、WORM（鹿特丹）、尼达艺术村（立陶宛）、Centrale Fies（意大利）、Thkio Ppalies（尼科西亚）、PAF（法国）及SAVVY当代（柏林）。他们持有皮特·茨瓦特学院镜头媒体艺术硕士学位。