au- to- to- my
切肤之疤
切肤之疤
Poetry, Performance
Chapbook, A5, 16pp., 2024
Chapbook, A5, 16pp., 2024
Created for the Kitchen at the Dutch Art Institute’s
December 2024 Confluence in Nida, Lithuania. The work is guided by the question:
“Why do I dye my hair green in Europe?”
本出版物与表演为荷兰艺术学院（Dutch Art Institute）“Kitchen”项目创作，并于2024年12月在立陶宛尼达举行的 Confluence 中呈现。作品由一个问题引导：
“我为什么在欧洲把自己的头发染绿？”
au-to-to-my is a poetry publication and performance apparatus in which language, images, and printed pages circulate between bodies. Digital bears leak neon wounds; bodies dissolve into Dutch archives, where scars are tagged, indexed, and measured. Choly and Melan drift through clouds of probability, while censored words cast shadows beneath white tape.
Passed from hand to hand, the booklet becomes a performance in its own right. Each page enters circulation as a fragment; each poem opens a space that turns but never settles into home. Across these pages, a green swamp of untouchability begins to surface—a space where even digital bears might relearn hunger beyond supermarket logic and recycled desire.
《切肤之疤》是一件由诗歌出版物与表演共同构成的装置，语言、图像与纸页在不同身体之间流通。数字熊渗出霓虹色的伤口；身体溶入荷兰的档案系统，疤痕被标记、归档与量化。Choly与Melan漂浮在概率云中，被审查的词语则在白色胶带下投下阴影。
小册子在手与手之间传递，并由此成为一场表演。每一页作为碎片进入流通，每一首诗都打开一个不断旋转、却始终无法凝结为“家”的空间。一片不可触碰的绿色沼泽逐渐浮现——在那里，即使是数字熊，也可能重新学习一种超出超市逻辑与循环欲望的饥饿。