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<channel>
	<title>Muyang Teng</title>
	<link>https://alternativelogic.me</link>
	<description>Muyang Teng</description>
	<pubDate>Mon, 03 Mar 2025 16:58:39 +0000</pubDate>
	<generator>https://alternativelogic.me</generator>
	<language>en</language>
	
		
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		<title>Desktop</title>
				
		<link>https://alternativelogic.me/Desktop</link>

		<pubDate>Thu, 17 Feb 2022 11:41:03 +0000</pubDate>

		<dc:creator>Muyang Teng</dc:creator>

		<guid isPermaLink="true">https://alternativelogic.me/Desktop</guid>

		<description>
&#60;img width="3024" height="1964" width_o="3024" height_o="1964" data-src="https://freight.cargo.site/t/original/i/817ff7a658872a909cafb082a0edefa2d2ecbbf4e5f1f9b1085e633909493bee/5.png" data-mid="204355383" border="0" alt="2018" data-caption="2018" src="https://freight.cargo.site/w/1000/i/817ff7a658872a909cafb082a0edefa2d2ecbbf4e5f1f9b1085e633909493bee/5.png" /&#62;
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&#60;img width="3024" height="1964" width_o="3024" height_o="1964" data-src="https://freight.cargo.site/t/original/i/27b2541000c836a275310c710474596af3c227dfce00e2cb6dbebf2d55a468a1/2023-12-17-10.32.32.png" data-mid="199572908" border="0" alt="2025-" data-caption="2025-" src="https://freight.cargo.site/w/1000/i/27b2541000c836a275310c710474596af3c227dfce00e2cb6dbebf2d55a468a1/2023-12-17-10.32.32.png" /&#62;
&#60;img width="3024" height="1964" width_o="3024" height_o="1964" data-src="https://freight.cargo.site/t/original/i/bd64f49031e9b2a195866e9d2d100297d1e246496733e6deefd540acda2b7b9e/5.png" data-mid="204356127" border="0" alt="2019-2021" data-caption="2019-2021" src="https://freight.cargo.site/w/1000/i/bd64f49031e9b2a195866e9d2d100297d1e246496733e6deefd540acda2b7b9e/5.png" /&#62;
&#60;img width="3024" height="1964" width_o="3024" height_o="1964" data-src="https://freight.cargo.site/t/original/i/b406dfef03b74a1e67108e988ed5a07f59bff0ce47fcb900dca6a769030b679c/2023-04-30-12.01.52.png" data-mid="177145110" border="0" alt="2022-2024" data-caption="2022-2024" src="https://freight.cargo.site/w/1000/i/b406dfef03b74a1e67108e988ed5a07f59bff0ce47fcb900dca6a769030b679c/2023-04-30-12.01.52.png" /&#62;
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	<item>
		<title>BEFORE2022</title>
				
		<link>https://alternativelogic.me/BEFORE2022</link>

		<pubDate>Sat, 04 Mar 2023 03:02:34 +0000</pubDate>

		<dc:creator>Muyang Teng</dc:creator>

		<guid isPermaLink="true">https://alternativelogic.me/BEFORE2022</guid>

		<description>
  
    
      
        
          The real communist question is [...] "how to live."
        
      
      
        —The Invisible Committee, Now
      
    
  



&#60;img width="600" height="386" width_o="600" height_o="386" data-src="https://freight.cargo.site/t/original/i/758682e0a8dc1afff3922d1c181e57daa60c568237881e77c5d175cbc98e94d5/poster-504x498-f8f8f8-pad-600x600-f8f8f8.png" data-mid="170486430" border="0" alt="Sailor" data-caption="Sailor" src="https://freight.cargo.site/w/600/i/758682e0a8dc1afff3922d1c181e57daa60c568237881e77c5d175cbc98e94d5/poster-504x498-f8f8f8-pad-600x600-f8f8f8.png" /&#62;
&#60;img width="297" height="259" width_o="297" height_o="259" data-src="https://freight.cargo.site/t/original/i/40c5e2e55ef888a6f28f3033205af9449206b114d38228d050f8c895feb703d2/syncopation.png" data-mid="170486427" border="0" alt="Syncopation" data-caption="Syncopation" src="https://freight.cargo.site/w/297/i/40c5e2e55ef888a6f28f3033205af9449206b114d38228d050f8c895feb703d2/syncopation.png" /&#62;
&#60;img width="1500" height="652" width_o="1500" height_o="652" data-src="https://freight.cargo.site/t/original/i/94bc41f5e8a3f525559b9fb0224f4751f24e23bd791da8bff3a87eb4b70f3620/dogs-mate-sex-make-love-mugs.png" data-mid="170486428" border="0" alt="Wandering Dogs" data-caption="Wandering Dogs" src="https://freight.cargo.site/w/1000/i/94bc41f5e8a3f525559b9fb0224f4751f24e23bd791da8bff3a87eb4b70f3620/dogs-mate-sex-make-love-mugs.png" /&#62;
&#60;img width="1566" height="891" width_o="1566" height_o="891" data-src="https://freight.cargo.site/t/original/i/3569c3bf359800a6c48e91a236fa7d9fd90aeb286ce8577ff900aa48ac7a07f0/-1.png" data-mid="170486423" border="0" alt="Secret Rendezvous" data-caption="Secret Rendezvous" src="https://freight.cargo.site/w/1000/i/3569c3bf359800a6c48e91a236fa7d9fd90aeb286ce8577ff900aa48ac7a07f0/-1.png" /&#62;



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</description>
		
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	<item>
		<title>AFTER2022</title>
				
		<link>https://alternativelogic.me/AFTER2022</link>

		<pubDate>Thu, 05 Oct 2023 14:30:24 +0000</pubDate>

		<dc:creator>Muyang Teng</dc:creator>

		<guid isPermaLink="true">https://alternativelogic.me/AFTER2022</guid>

		<description>
  
    
      
        
          Love comes through a lapse in the logic of the universe.
        
      
      
        —Marguerite Duras, The Malady of Death
      
    
  



&#60;img width="674" height="476" width_o="674" height_o="476" data-src="https://freight.cargo.site/t/original/i/b09fdd6830b4d28b75b59f6c7a5a58477b48f114181c5060ab5ca65cde158d56/.jpg" data-mid="227965682" border="0" alt="au-to-to-my" data-caption="au-to-to-my" src="https://freight.cargo.site/w/674/i/b09fdd6830b4d28b75b59f6c7a5a58477b48f114181c5060ab5ca65cde158d56/.jpg" /&#62;
&#60;img width="3024" height="1701" width_o="3024" height_o="1701" data-src="https://freight.cargo.site/t/original/i/cef427f84a1abe0351aae7feeb1b5b115195feb672c8c1dfda9b76adb328d280/Cripping.png" data-mid="206172069" border="0" alt="Untimely" data-caption="Untimely" src="https://freight.cargo.site/w/1000/i/cef427f84a1abe0351aae7feeb1b5b115195feb672c8c1dfda9b76adb328d280/Cripping.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5fa39bc03f5ab2430cba59be84ea88fca0b2f37b961fd47396fb1d51ec10fb4b/Scene-Hole.png" data-mid="203743575" border="0" alt="Octopus in Drag" data-caption="Octopus in Drag" src="https://freight.cargo.site/w/1000/i/5fa39bc03f5ab2430cba59be84ea88fca0b2f37b961fd47396fb1d51ec10fb4b/Scene-Hole.png" /&#62;
&#60;img width="2266" height="1480" width_o="2266" height_o="1480" data-src="https://freight.cargo.site/t/original/i/ecf3a9f9a4c75b4a177942946d88106f32edd8bfe48fdedac99dd53eeacadb74/2023-01-22-5.18.png" data-mid="192822872" border="0" alt="The Ruined Map" data-caption="The Ruined Map" src="https://freight.cargo.site/w/1000/i/ecf3a9f9a4c75b4a177942946d88106f32edd8bfe48fdedac99dd53eeacadb74/2023-01-22-5.18.png" /&#62;



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</description>
		
	</item>
		
		
	<item>
		<title>2018</title>
				
		<link>https://alternativelogic.me/2018</link>

		<pubDate>Sun, 12 Mar 2023 21:42:55 +0000</pubDate>

		<dc:creator>Muyang Teng</dc:creator>

		<guid isPermaLink="true">https://alternativelogic.me/2018</guid>

		<description>
  
    
      
        
          At that place, the borderless place of life and death,
          I find my mommy, the dead child of my lost self.
        
      
      
        —Kim Hyesoon, "Bird Rider: An Essay"
      
    
  



&#60;img width="3024" height="1964" width_o="3024" height_o="1964" data-src="https://freight.cargo.site/t/original/i/591c34c4170f03f332096bac45a99c5c5371a342455037e26236b47041556b8d/3.png" data-mid="227966584" border="0" alt="Gone Is the Gold of the Days" data-caption="Gone Is the Gold of the Days" src="https://freight.cargo.site/w/1000/i/591c34c4170f03f332096bac45a99c5c5371a342455037e26236b47041556b8d/3.png" /&#62;



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</description>
		
	</item>
		
		
	<item>
		<title>ongoing</title>
				
		<link>https://alternativelogic.me/ongoing</link>

		<pubDate>Mon, 03 Mar 2025 16:58:39 +0000</pubDate>

		<dc:creator>Muyang Teng</dc:creator>

		<guid isPermaLink="true">https://alternativelogic.me/ongoing</guid>

		<description>
  
    
      
        
          It was hardly war, the hardliest of wars. Hardly, hardly.
        
      
      
        —Don Mee Choi, Hardly War
      
    
  



&#60;img width="476" height="280" width_o="476" height_o="280" data-src="https://freight.cargo.site/t/original/i/d421423f2abb94f90582af85416e034a8c8af8d4d9229a4c47b42e602031280e/0.jpg" data-mid="227544050" border="0" alt="Bearly Itch" data-caption="Bearly Itch" src="https://freight.cargo.site/w/476/i/d421423f2abb94f90582af85416e034a8c8af8d4d9229a4c47b42e602031280e/0.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5115f9b2fe99ceafde74d5a2729be251ae4c8effc9a6699706e8169adadf9647/-1.png" data-mid="236402154" border="0" alt="Bears Are Ninety Percent B" data-caption="Bears Are Ninety Percent B" src="https://freight.cargo.site/w/1000/i/5115f9b2fe99ceafde74d5a2729be251ae4c8effc9a6699706e8169adadf9647/-1.png" /&#62;
&#60;img width="1055" height="720" width_o="1055" height_o="720" data-src="https://freight.cargo.site/t/original/i/063d4f1cf06c2bd143421bbd3cdf29df1d8976f0dc9863078b5ed38a6d60528d/ChatGPT-Image-2026528-23_03_17-1.png" data-mid="249201990" border="0" alt="Elephant On Elephant Off" data-caption="Elephant On Elephant Off" src="https://freight.cargo.site/w/1000/i/063d4f1cf06c2bd143421bbd3cdf29df1d8976f0dc9863078b5ed38a6d60528d/ChatGPT-Image-2026528-23_03_17-1.png" /&#62;
&#60;img width="1536" height="1024" width_o="1536" height_o="1024" data-src="https://freight.cargo.site/t/original/i/d0d46edd1d1b34d9bba2deb7d528864779ea396aa8129a0a4326b83d0bf3ce85/ChatGPT-Image-2026410-03_43_52.png" data-mid="247020397" border="0" alt="Snow Deer" data-caption="Snow Deer" src="https://freight.cargo.site/w/1000/i/d0d46edd1d1b34d9bba2deb7d528864779ea396aa8129a0a4326b83d0bf3ce85/ChatGPT-Image-2026410-03_43_52.png" /&#62;



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</description>
		
	</item>
		
		
	<item>
		<title>about</title>
				
		<link>https://alternativelogic.me/about</link>

		<pubDate>Thu, 17 Feb 2022 11:41:04 +0000</pubDate>

		<dc:creator>Muyang Teng</dc:creator>

		<guid isPermaLink="true">https://alternativelogic.me/about</guid>

		<description>
  

    

      
        Contact
        
          mukjoeng@outlook.com
          tengmuyangphoto@163.com
          +86 18896502825
          Based in China
        
      

      
        BIO
      

      
        Muyang Teng (b. 1998, Changzhou) is an artist and writer based between 
        China and the Netherlands, working across writing, moving image, 
        photography, installation, and performance.
        
        Their work traces how systems of transmission and classification settle 
        into language, images, bodies, and intimate life. Colonial administration, 
        Cold War communication, and platform sorting shape who becomes legible, who 
        can be heard, and in what register. These systems do not simply transmit; 
        they delay, filter, and recalibrate what passes through them. What returns 
        is a thinned signal—still audible, still recognizable, but altered by the 
        time and conditions of its reception.
        
        Teng came to writing through the camera, then continued where the camera 
        had no place to stand: after demolition, after sealing, after a message had 
        passed through a hand unable to read it.
        
        From 2022 to 2024, Teng ran ElectricLizard, an online platform for 
        anti-Orientalist, feminist, and queer-ecological translation. Recent 
        chapbooks include Bears Are Ninety Percent B (2025), Snow Deer 
        (2026), and Elephant On Elephant Off (2026); films include The 
        Ruined Map (2023) and Octopus in Drag (2024). Their work has 
        been presented at EYE Filmmuseum, V2_, WORM, SIGN, Mugetang Gallery, and 
        Centrale Fies. Teng holds MAs from the Piet Zwart Institute and the Dutch 
        Art Institute.
      

      
        
          →
          中文
        
        
          滕沐洋（1998年生于常州），艺术家与写作者，工作生活于中国与荷兰之间，创作媒介涵盖
          写作、动态影像、摄影、装置与行为表演。
          
          其创作追踪的是，传输与分类系统如何沉淀进语言、图像、身体与亲密生活之中。殖民管理、
          冷战通讯与平台算法，共同塑造着谁可被辨识、谁能被听见，以及以何种声调被听见。这些系统
          并非单纯传递信息，而是会对穿行其间的信息进行延迟、过滤和重新校准。最终折返的信号已然
          削弱——虽仍可听闻、仍可辨认，却因接收的时间与条件而发生了改变。
          
          滕由相机步入写作，继而在相机无处立足之处继续前行：在拆除之后，在封存之后，在一条信息
          经由一双无法解读它的手之后。
          
          2022年至2024年间，滕运营ElectricLizard，一个致力于反东方主义、女性主义与酷儿生态翻译
          的线上平台。近期出版的小册子包括《熊的百分之九十是B》（2025）、《雪鹿》（2026）与
          《象开象关》（2026）；影像作品包括《燃烧的地图》（2023）与《扮装章鱼》（2024）。
          其作品曾在EYE电影博物馆、V2_、WORM、SIGN、木格堂与Centrale Fies展出。滕拥有
          皮特·兹瓦特学院与荷兰艺术学院的双硕士学位。
        
      

      
        ARTIST STATEMENT
      

      
        I begin with things that do not arrive whole: a playground slide sealed 
        for safety; a towel still folded as I left it three years ago; my 
        grandfather's encrypted pulses, transmitted during a war whose messages he 
        was not permitted to read. Or perhaps they arrive whole enough. It is their 
        use that has broken off.
        
        I work with found images, inexpensive objects, damaged surfaces, writing, 
        and gestures that persist beyond their original use. I crop, re-photograph, 
        dismantle, translate, and return things to circulation. Images reappear 
        less as evidence than as residue. Translation, for me, is a bodily 
        process: accent, breath, copying, mistranslation, and mishearing reveal 
        what changes as something passes from one person, language, or medium to 
        another.
        
        Family returns as atmosphere—a colour, a habit, a voice continuing in 
        another room, a rhythm the body has retained without knowing. I am 
        interested in repetition, distortion, and the ways time moves through 
        bodies, materials, and language. What matters to me is not perfect 
        transmission, but what remains after coherence begins to fail.
      

      
        
          →
          中文
        
        
          我从那些未能完整抵达的事物开始：因安全考量被封起的滑梯；三年前我离开时叠好的毛巾，
          至今原样未动；祖父在战争期间传回的加密脉冲信号，而那些消息他本人也无权阅读。又或许，
          它们抵达时已是完整的，只是它们的用途早已断裂。
          
          我处理的对象包括现成图像、廉价物件、受损的表面、文字，以及那些超越了原本用途而持续
          存在的姿态。我裁剪、翻拍、拆解、翻译，再让它们重新回到流转之中。图像再次出现时，
          更像是残余，而非证据。于我而言，翻译是一种身体性的过程：口音、呼吸、复制、误译与
          误听，揭示了当某物从一个人、一种语言或一种媒介传递至另一个人、语言或媒介时，究竟
          发生了什么变化。
          
          家庭以氛围的方式归来——一种颜色、一种习惯、另一个房间里延续的嗓音、身体在不知觉间
          保留的某种节奏。我对重复、变形，以及时间如何穿过身体、物质与语言而流动的方式深感
          兴趣。我所在意的，并非完美的传递，而是当连贯性开始瓦解之后，还能留下什么。
        
      

      
        .lang-toggle summary::-webkit-details-marker { display: none; }
        .lang-toggle[open] summary .arrow { transform: rotate(90deg); }
        .lang-toggle summary:hover { opacity: 0.7; }
      

      
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</description>
		
	</item>
		
		
	<item>
		<title>Gone Is the Gold of the Days</title>
				
		<link>https://alternativelogic.me/Gone-Is-the-Gold-of-the-Days</link>

		<pubDate>Wed, 15 Jun 2022 15:34:03 +0000</pubDate>

		<dc:creator>Muyang Teng</dc:creator>

		<guid isPermaLink="true">https://alternativelogic.me/Gone-Is-the-Gold-of-the-Days</guid>

		<description>

  
    Gone Is the Gold of the Days

    
      2018 &#38;nbsp;·&#38;nbsp; Experimental video / film poem
    
  

  
&#60;img width="3024" height="1964" width_o="3024" height_o="1964" data-src="https://freight.cargo.site/t/original/i/bc53e08bd69880ed285fead53ed2ee3616951fe9a0bd121cf2fe344e01ba9c2b/1.png" data-mid="211660609" border="0" data-scale="59" src="https://freight.cargo.site/w/1000/i/bc53e08bd69880ed285fead53ed2ee3616951fe9a0bd121cf2fe344e01ba9c2b/1.png" /&#62;
&#60;img width="3024" height="1964" width_o="3024" height_o="1964" data-src="https://freight.cargo.site/t/original/i/4c67c298a4e5f2866162ca7cde14cd4400137d66e7541ae0751c0d6f95f7202a/5.png" data-mid="211660615" border="0"  src="https://freight.cargo.site/w/1000/i/4c67c298a4e5f2866162ca7cde14cd4400137d66e7541ae0751c0d6f95f7202a/5.png" /&#62;
&#60;img width="3024" height="1964" width_o="3024" height_o="1964" data-src="https://freight.cargo.site/t/original/i/831a8e5b46d4212ea1ec0941d25d8f852dc3e85f18fa06ffe8f2f63dd51102e3/4.png" data-mid="211660614" border="0"  src="https://freight.cargo.site/w/1000/i/831a8e5b46d4212ea1ec0941d25d8f852dc3e85f18fa06ffe8f2f63dd51102e3/4.png" /&#62;
&#60;img width="3024" height="1964" width_o="3024" height_o="1964" data-src="https://freight.cargo.site/t/original/i/4fd7cc7d029508352813fbb21833dbca0f38e457bb607e68ce4aca5224b1790d/2.png" data-mid="211660611" border="0"  src="https://freight.cargo.site/w/1000/i/4fd7cc7d029508352813fbb21833dbca0f38e457bb607e68ce4aca5224b1790d/2.png" /&#62;
&#60;img width="3024" height="1964" width_o="3024" height_o="1964" data-src="https://freight.cargo.site/t/original/i/676b2137e1a5c0d2d5f908357a72dba8e2c31f7df7db2088dcaa176e06f07148/3.png" data-mid="211660612" border="0"  src="https://freight.cargo.site/w/1000/i/676b2137e1a5c0d2d5f908357a72dba8e2c31f7df7db2088dcaa176e06f07148/3.png" /&#62;
&#60;img width="3024" height="1964" width_o="3024" height_o="1964" data-src="https://freight.cargo.site/t/original/i/d513e702fc782f0744c1b3c95146881340c55fdd36a971167e6350dc8478a181/6.png" data-mid="211660619" border="0"  src="https://freight.cargo.site/w/1000/i/d513e702fc782f0744c1b3c95146881340c55fdd36a971167e6350dc8478a181/6.png" /&#62;


  
    
      Gone Is the Gold of the Days follows Amber as she searches for 
      her mother, a painter who disappeared shortly after giving birth to 
      her. On a rebuilt earth caught in the repetition of the old one, Amber 
      encounters not her mother, but a white-haired version of herself.
      
      They share a cigarette. They burn a painting. They walk across scorched 
      ground in parallel.
      
      Through doubled bodies, repeated gestures, and displaced landscapes, 
      the film approaches memory not as something to recover, but as 
      something that returns out of sequence. The past remains inaccessible, 
      yet Amber cannot leave it behind.
    

    
      
        →
        中文
      
      
        《那一天已然流逝》讲述的是安珀寻找母亲的故事。她的母亲是一位画家，在生下她之后不久
        便杳无音讯。在一个重建后却仍复刻着旧日轨迹的地球上，安珀没能找到母亲，却遇见了
        满头白发的另一个自己。
        
        她们共抽一支烟。她们焚毁一幅画。她们并肩走过焦土，步伐交错却平行。
        
        影片借助成对的身体、重复的姿态与错置的景观，将记忆并非视作有待寻回之物，而是作为
        一种不合时序、反复折返的存在。过去无法抵达，而安珀也无法将它抛在身后。
      
    

    
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      ← Index
    
  

</description>
		
	</item>
		
		
	<item>
		<title>Syncopation</title>
				
		<link>https://alternativelogic.me/Syncopation</link>

		<pubDate>Mon, 13 Jun 2022 17:46:19 +0000</pubDate>

		<dc:creator>Muyang Teng</dc:creator>

		<guid isPermaLink="true">https://alternativelogic.me/Syncopation</guid>

		<description>

  
    Syncopation

    
      2020–2021 &#38;nbsp;·&#38;nbsp; Photography / Installation / Publication
    

    
      
        "Time folds, and it doesn't fold neatly."
      
      
        — Raqs Media Collective
      
      
        "时间折叠，却从不齐整。"——Raqs媒体小组
      
    
  

  
&#60;img width="1448" height="1086" width_o="1448" height_o="1086" data-src="https://freight.cargo.site/t/original/i/fc0e2a05df96700ed1ebb55c25d01e1d121893bcee67b73dbf7911dd515c977d/ChatGPT-Image-202697-23_08_22.png" data-mid="251919578" border="0"  src="https://freight.cargo.site/w/1000/i/fc0e2a05df96700ed1ebb55c25d01e1d121893bcee67b73dbf7911dd515c977d/ChatGPT-Image-202697-23_08_22.png" /&#62;
&#60;img width="2139" height="735" width_o="2139" height_o="735" data-src="https://freight.cargo.site/t/original/i/71f5953adc8cad6761ed35c69a6388b2446ba0a968721d76fcdad68b350fd507/ChatGPT-Image-202697-22_43_42.png" data-mid="251919567" border="0"  src="https://freight.cargo.site/w/1000/i/71f5953adc8cad6761ed35c69a6388b2446ba0a968721d76fcdad68b350fd507/ChatGPT-Image-202697-22_43_42.png" /&#62;
&#60;img width="1448" height="1086" width_o="1448" height_o="1086" data-src="https://freight.cargo.site/t/original/i/97efc7b9ebecb6ac2540e8c0c2376278e93b666103e1e687b1b179663ef45441/ChatGPT-Image-202698-02_47_47.png" data-mid="251919642" border="0"  src="https://freight.cargo.site/w/1000/i/97efc7b9ebecb6ac2540e8c0c2376278e93b666103e1e687b1b179663ef45441/ChatGPT-Image-202698-02_47_47.png" /&#62;
&#60;img width="1448" height="1086" width_o="1448" height_o="1086" data-src="https://freight.cargo.site/t/original/i/c73750830ae246a8ca29b353dbcc131368cba851307c16ee2d5faa42062b91a9/ChatGPT-Image-202698-02_44_32.png" data-mid="251919639" border="0"  src="https://freight.cargo.site/w/1000/i/c73750830ae246a8ca29b353dbcc131368cba851307c16ee2d5faa42062b91a9/ChatGPT-Image-202698-02_44_32.png" /&#62;


  
    
      &#60;img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/5e1f08a34470c8ad36a0f0f30e00a86e46931f0dbb8521529745961de755efa6/_DSC2552.JPG" data-mid="193422006" border="0"  src="https://freight.cargo.site/w/1000/i/5e1f08a34470c8ad36a0f0f30e00a86e46931f0dbb8521529745961de755efa6/_DSC2552.JPG" /&#62;
      &#60;img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/45a1df2a0018afc49da20a65ce4f3d6b5edac6ab14123647a8359bd6cab19a07/_DSC2653.JPG" data-mid="193422021" border="0"  src="https://freight.cargo.site/w/1000/i/45a1df2a0018afc49da20a65ce4f3d6b5edac6ab14123647a8359bd6cab19a07/_DSC2653.JPG" /&#62;
      &#60;img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/5edef413cdc9a2638e2ee20e51f87dc33ff8a8eb01a55709d0d0a3d65aec43f4/_DSC2658.JPG" data-mid="193422039" border="0"  src="https://freight.cargo.site/w/1000/i/5edef413cdc9a2638e2ee20e51f87dc33ff8a8eb01a55709d0d0a3d65aec43f4/_DSC2658.JPG" /&#62;
    
    
      &#60;img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/ae8f6d2e56101be19f61720d8eb4c4802014e999ddb7705fc7271da37452663d/_DSC2543.JPG" data-mid="193422001" border="0"  src="https://freight.cargo.site/w/1000/i/ae8f6d2e56101be19f61720d8eb4c4802014e999ddb7705fc7271da37452663d/_DSC2543.JPG" /&#62;
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      &#60;img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/9951d6c53ab223e6a4082c664088ff98e8c695344cbf3c269332d25e4487daf4/_DSC2573.JPG" data-mid="193422014" border="0"  src="https://freight.cargo.site/w/1000/i/9951d6c53ab223e6a4082c664088ff98e8c695344cbf3c269332d25e4487daf4/_DSC2573.JPG" /&#62;
      &#60;img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/01c7882d788160e16d84dd1dbffff8577189aca0b19955776834cefde9b23555/_DSC2703.JPG" data-mid="193422031" border="0"  src="https://freight.cargo.site/w/1000/i/01c7882d788160e16d84dd1dbffff8577189aca0b19955776834cefde9b23555/_DSC2703.JPG" /&#62;
      &#60;img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/333d1e606bef27f1911bde5fe63ebced478451233b4981ae41545a43985278be/_DSC2715.JPG" data-mid="193422076" border="0"  src="https://freight.cargo.site/w/1000/i/333d1e606bef27f1911bde5fe63ebced478451233b4981ae41545a43985278be/_DSC2715.JPG" /&#62;
    
    
      &#60;img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/fa466285f07e0984617618d8793cc9cdecde03bb21a1adf347d68f49f1efa683/_DSC2587.JPG" data-mid="193422017" border="0"  src="https://freight.cargo.site/w/1000/i/fa466285f07e0984617618d8793cc9cdecde03bb21a1adf347d68f49f1efa683/_DSC2587.JPG" /&#62;
      &#60;img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/cd4567647a8c0c3b581ac438f4e84cce9f4100fe01d1789a68e1843f1bdd0b02/_DSC2709.JPG" data-mid="193422037" border="0"  src="https://freight.cargo.site/w/1000/i/cd4567647a8c0c3b581ac438f4e84cce9f4100fe01d1789a68e1843f1bdd0b02/_DSC2709.JPG" /&#62;
      &#60;img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/20224a411068506883b758707ee5e92111f6a2c7d67c1b258230d2e46be1e1ec/_DSC2718.JPG" data-mid="193422079" border="0"  src="https://freight.cargo.site/w/1000/i/20224a411068506883b758707ee5e92111f6a2c7d67c1b258230d2e46be1e1ec/_DSC2718.JPG" /&#62;
    
  

  
    
      Syncopation examines the uneven temporalities of urbanization 
      through photographs made along the urban fringes of Chengdu. The project 
      focuses on surfaces, objects, and improvised structures that gather 
      where different systems overlap without fully synchronizing.
      
      The work unfolds across two publications, Now and 
      Elsewhere, alongside a photographic installation. Now 
      attends to weathered and provisional forms: rust, faded fabric, weeds, 
      dust, spiderwebs, and thresholds caught between use, neglect, and 
      redevelopment. Elsewhere turns toward neon afterimages, LED 
      surfaces, decorative structures, and staged environments associated 
      with progress and aspiration.
      
      Ruin and futurity do not appear here as opposites. They occupy the same 
      terrain. The urban fringe is not outside the city, but one of the places 
      through which the city is continually made.
    

    
      
        →
        中文
      
      
        《切分》通过沿成都城市边缘拍摄的照片，考察城市化进程中不均质的时间节奏。该项目
        聚焦于那些在不同系统交叠却未能完全同步之处汇聚的表面、物件与临时构筑物。
        
        作品以两本出版物——《此时》与《彼处》——及一组摄影装置共同呈现。《此时》关注
        风化与暂存形态：铁锈、褪色的织物、杂草、尘土、蛛网，以及那些游移于使用、遗弃
        与再开发之间的边界状态。《彼处》则转向霓虹残影、LED表面、装饰性结构，以及与
        进步和愿景相关的人造景观。
        
        废墟与未来在此并非对立，而是共存于同一片土地之上。城市边缘并非在城市之外，
        而是城市持续生成自身的场所之一。
      
    

    
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      ← Index
    
  

</description>
		
	</item>
		
		
	<item>
		<title>Wandering Dogs</title>
				
		<link>https://alternativelogic.me/Wandering-Dogs</link>

		<pubDate>Thu, 17 Feb 2022 11:41:05 +0000</pubDate>

		<dc:creator>Muyang Teng</dc:creator>

		<guid isPermaLink="true">https://alternativelogic.me/Wandering-Dogs</guid>

		<description>

  
    Wandering Dogs

    
      2020–2021 &#38;nbsp;·&#38;nbsp; Photography / Installation
    
  

  
&#60;img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/f98079ff4c13327ec7b7d4ea1c640381569d7727e8e1e4afbc1567fa1aabb310/13.jpg" data-mid="145309482" border="0"  src="https://freight.cargo.site/w/1000/i/f98079ff4c13327ec7b7d4ea1c640381569d7727e8e1e4afbc1567fa1aabb310/13.jpg" /&#62;
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      &#60;img width="1632" height="2000" width_o="1632" height_o="2000" data-src="https://freight.cargo.site/t/original/i/80fc8348b3b50f2b6baf791f23be33808f6cb7479a925612179ab654b140c3da/Broken-Cup.jpg" data-mid="145309528" border="0"  src="https://freight.cargo.site/w/1000/i/80fc8348b3b50f2b6baf791f23be33808f6cb7479a925612179ab654b140c3da/Broken-Cup.jpg" /&#62;&#60;img width="1632" height="2000" width_o="1632" height_o="2000" data-src="https://freight.cargo.site/t/original/i/cb5626db65dedcbc8db90ac8816d78e9b94c4d675749a1235852c32ddcea5ce7/Gloves--Stand--and-Love-Ornament.jpg" data-mid="145506110" border="0"  src="https://freight.cargo.site/w/1000/i/cb5626db65dedcbc8db90ac8816d78e9b94c4d675749a1235852c32ddcea5ce7/Gloves--Stand--and-Love-Ornament.jpg" /&#62;&#60;img width="1632" height="2000" width_o="1632" height_o="2000" data-src="https://freight.cargo.site/t/original/i/80615435d5d22dfca247cd4f177e804580d2debb70898bf9eaca40637790c102/Massager--and-Snake-Toy.jpg" data-mid="145506102" border="0"  src="https://freight.cargo.site/w/1000/i/80615435d5d22dfca247cd4f177e804580d2debb70898bf9eaca40637790c102/Massager--and-Snake-Toy.jpg" /&#62;
    
    
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      &#60;img width="1627" height="2000" width_o="1627" height_o="2000" data-src="https://freight.cargo.site/t/original/i/45ecdd9725acd035f611ef78c67779b1ae48aa647b499e426d63fc242ebf7ad2/Plastic-Water-Bottle--Card-Toys--and-Sichuan-Long-Cards.jpg" data-mid="145309551" border="0"  src="https://freight.cargo.site/w/1000/i/45ecdd9725acd035f611ef78c67779b1ae48aa647b499e426d63fc242ebf7ad2/Plastic-Water-Bottle--Card-Toys--and-Sichuan-Long-Cards.jpg" /&#62;&#60;img width="1632" height="2000" width_o="1632" height_o="2000" data-src="https://freight.cargo.site/t/original/i/b0f4c829eddcf31069c0a30407cedb0b4ac62f10f94ce5e78141c07170711d7c/Shuttlecock.jpg" data-mid="145310314" border="0"  src="https://freight.cargo.site/w/1000/i/b0f4c829eddcf31069c0a30407cedb0b4ac62f10f94ce5e78141c07170711d7c/Shuttlecock.jpg" /&#62;&#60;img width="1632" height="2000" width_o="1632" height_o="2000" data-src="https://freight.cargo.site/t/original/i/af054ea4a32608d071ff522e2dd1f90ae67951604e6195916bafa96817c839a8/Cat-Teaser--Coat-Hanger--Pearl-Hair-Clip--Glass--and-Decorative-Glitter.jpg" data-mid="145506203" border="0"  src="https://freight.cargo.site/w/1000/i/af054ea4a32608d071ff522e2dd1f90ae67951604e6195916bafa96817c839a8/Cat-Teaser--Coat-Hanger--Pearl-Hair-Clip--Glass--and-Decorative-Glitter.jpg" /&#62;
    
    
      &#60;img width="1632" height="2000" width_o="1632" height_o="2000" data-src="https://freight.cargo.site/t/original/i/6ecdcfca4dac06dc0fb2caf2e12f9972aeb62d3aad3e554d1291c2e5ea731fab/Toy-Blocks--and-Glass-Balls.jpg" data-mid="145309550" border="0"  src="https://freight.cargo.site/w/1000/i/6ecdcfca4dac06dc0fb2caf2e12f9972aeb62d3aad3e554d1291c2e5ea731fab/Toy-Blocks--and-Glass-Balls.jpg" /&#62;&#60;img width="1632" height="2000" width_o="1632" height_o="2000" data-src="https://freight.cargo.site/t/original/i/25858e36e9338d39e13c8ed813e501946e5866ea198362507364cce5f1d18748/Containers.jpg" data-mid="145310792" border="0"  src="https://freight.cargo.site/w/1000/i/25858e36e9338d39e13c8ed813e501946e5866ea198362507364cce5f1d18748/Containers.jpg" /&#62;&#60;img width="1632" height="2000" width_o="1632" height_o="2000" data-src="https://freight.cargo.site/t/original/i/82cf08a21c710b3df9cc1aedac64ad8842d89246ad80059345ae3dd836be75fb/Shell-Cross--and-Mortar.jpg" data-mid="145506330" border="0"  src="https://freight.cargo.site/w/1000/i/82cf08a21c710b3df9cc1aedac64ad8842d89246ad80059345ae3dd836be75fb/Shell-Cross--and-Mortar.jpg" /&#62;
    
  

  
    
      Wandering Dogs developed from repeated visits to the urban 
      fringes of Chengdu and to the two-yuan shops still surviving there. 
      Cheap toys, tools, containers, seasonal decorations, and other 
      disposable goods were bought, taken back to the studio, and repeatedly 
      stacked, tied, dismantled, and rebuilt into temporary structures.
      
      I photographed each arrangement on large-format film with flash just 
      before it collapsed.
      
      The title comes from the stray dogs I kept encountering in the same 
      neighborhoods. Like the shops and the objects they sell, they persist 
      within spaces the city has not yet fully absorbed or cleared away.
      
      The structures remain precarious by design. They hold only briefly, 
      resisting both usefulness and stable classification.
    

    
      
        →
        中文
      
      
        《游犬》源于对成都城市边缘地带及其间尚存的二元店屡次走访。廉价的玩具、工具、容器、
        节庆装饰，以及种种一次性商品被买下，带回工作室，反复堆叠、捆扎、拆卸、重组，
        搭建成临时的结构。
        
        我用大画幅胶片配合闪光灯，在每一组装置即将崩塌的瞬间拍下它们。
        
        标题来自我在同一片街区反复遇见的流浪狗。如同那些店铺和它们货架上的商品，它们栖身于
        城市尚未完全吞没或清理的空间之中。
        
        这些结构有意保持岌岌可危的状态。它们只能短暂存立，既拒绝被使用，也抗拒被归入任何
        稳定的类别。
      
    

    
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	<item>
		<title>Secret Rendezvous</title>
				
		<link>https://alternativelogic.me/Secret-Rendezvous</link>

		<pubDate>Thu, 16 Jun 2022 04:18:54 +0000</pubDate>

		<dc:creator>Muyang Teng</dc:creator>

		<guid isPermaLink="true">https://alternativelogic.me/Secret-Rendezvous</guid>

		<description>

  
    Secret Rendezvous

    
      2021 &#38;nbsp;·&#38;nbsp; Website-based project / digital archive
    
  

  
&#60;img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/63ae8054b08009aa90186e237688e4304e1b725d48318c9d7c3939217529fec6/What-s-in-your-head.jpg" data-mid="145563221" border="0"  src="https://freight.cargo.site/w/1000/i/63ae8054b08009aa90186e237688e4304e1b725d48318c9d7c3939217529fec6/What-s-in-your-head.jpg" /&#62;
&#60;img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/3d231a0214a4a0dc2034415d0e0da53367dfc94c58b6a58660f22d95b8a537af/Sleep-together-with-Wenliang-Li.jpg" data-mid="145563210" border="0"  src="https://freight.cargo.site/w/1000/i/3d231a0214a4a0dc2034415d0e0da53367dfc94c58b6a58660f22d95b8a537af/Sleep-together-with-Wenliang-Li.jpg" /&#62;
&#60;img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/8c14b4dcdfa7b7545e012bcc4357d7b2a237112e51bdb92bce8266f7c22264c9/Devotee.jpg" data-mid="145563219" border="0"  src="https://freight.cargo.site/w/1000/i/8c14b4dcdfa7b7545e012bcc4357d7b2a237112e51bdb92bce8266f7c22264c9/Devotee.jpg" /&#62;
&#60;img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/db3a760689fc829e95b3faf8ff9f3c79ce615116b785cd4588e7b74d3845388c/Give-me-an-Americano-with-FOAM-without-Hiroshi-Sugimoto.jpg" data-mid="145563212" border="0"  src="https://freight.cargo.site/w/1000/i/db3a760689fc829e95b3faf8ff9f3c79ce615116b785cd4588e7b74d3845388c/Give-me-an-Americano-with-FOAM-without-Hiroshi-Sugimoto.jpg" /&#62;
&#60;img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/286ace5fc3a9ef7ee713d187563274d4faf24512052178288402ed46adbb43ce/The-philosopher-Badiou-changed-my-brain.jpg" data-mid="145563204" border="0"  src="https://freight.cargo.site/w/1000/i/286ace5fc3a9ef7ee713d187563274d4faf24512052178288402ed46adbb43ce/The-philosopher-Badiou-changed-my-brain.jpg" /&#62;
&#60;img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/c75d59657dec087d8daa6c40e88948c338fb12be8a4b6891644b44cf55ab8086/We-Became-What-We-Behold.jpg" data-mid="145563470" border="0"  src="https://freight.cargo.site/w/1000/i/c75d59657dec087d8daa6c40e88948c338fb12be8a4b6891644b44cf55ab8086/We-Became-What-We-Behold.jpg" /&#62;
&#60;img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/fee256497f0035ad1f3503402641475eeacd592db976bab8581e69e8230a2daf/Start-training-to-acquire-US-citizenship.jpg" data-mid="145563444" border="0"  src="https://freight.cargo.site/w/1000/i/fee256497f0035ad1f3503402641475eeacd592db976bab8581e69e8230a2daf/Start-training-to-acquire-US-citizenship.jpg" /&#62;
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      Secret Rendezvous is a web-based project developed during the 
      COVID-19 pandemic, when physical confinement and political uncertainty 
      intensified questions of intimacy, self-boundaries, and digital visibility.
      
      The project centers on "Jonathan," a fictional artist constructed as an 
      unstable online proxy. Through correspondence, images, fictional 
      documents, and contributions from lovers, anonymous users, activists, 
      and silent visitors, the website gradually became a shifting archive in 
      which authorship and identity continually changed hands.
      
      Jonathan never settles into a coherent person. He remains a broken 
      relay: part fiction, part projection, part collective body.
      
      The project treats art-making not as a resolution of fear, but as a way 
      of remaining with it.
      
      The original website is no longer online.
    

    
      
        →
        中文
      
      
        《密会》是一个在新冠疫情期间发起的网络项目。彼时，物理空间的封锁与政治局势的不确定性，
        使得关于亲密关系、自我边界与数字可见性的追问愈发紧迫。
        
        项目的核心是"乔纳森"——一个被虚构出来的艺术家身份，被设定为一个不稳定的在线代理。
        通过书信往来、图像、虚构文档，以及来自恋人、匿名用户、行动者和静默访客的参与贡献，
        这个网站逐渐演变为一个不断变动的档案库，其中作者身份与主体性始终在流转易手。
        
        乔纳森从未凝结为一个完整的人格。他始终是一截破损的中继：一半是虚构，一半是投射，
        一半是集体的身体。
        
        这个项目将艺术创作视为一种与恐惧共处的方式，而非对其的克服或消解。
        
        该网站原址现已下线。
      
    

    
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